Showing posts with label aliens. Show all posts
Showing posts with label aliens. Show all posts

Tuesday, May 20, 2014

MAY-DE TO BE MOCKED - Princess of Mars (2009)

Note: Throughout the month of May I will be watching Mockbusters, those low-budget movies which are made purely to cash in on a recent successful blockbuster. I call this May-de to be Mocked!  


Princess of Mars (2009)
Director: Mark Atkins
Starring: Antonio Sabato jr, Traci Lords, Chacko Vadaketh
Format: AVI


Plot: A special ops sniper (Sabato jr) in Afghanistan is double-crossed and ends up close to death. His superiors use some scifi mumbo-jumbo to send him to a distant planet called Mars-something, where he becomes involved in the ongoing battle between humanoids (who control the machine making the planet liveable) and monster-looking sand people. He falls in love with the Princess of Mars (Lords) and fights to overcome her enemies.

This is a rare movie that cashes in on two blockbusters. It was originally marketed as "The classic story that inspired James Cameron's Avatar", and it then piggybacked on the 2012 release of John Carter, with which it shares an Edgar Rice Burroughs story as source material.

First an admission: I enjoy John Carter. I think it's a fun, pulp scifi movie that is unfairly maligned by many. With that out of the way, how did I enjoy this, another offering by The Asylum? The answer to that is, not very much.

The special effects are basic but passable and there's plenty of action to keep things ticking along (I particularly liked the fights with giant mutant spiders), but what really brings it all down is the acting. I wish I could say the acting is so bad that it makes this movie cheesy good fun, but I can't. It's not good, it's not bad, it's just there. And that's a problem when the whole story is built around a hero doing all sorts of swashbuckling, pulpy stuff. That hero needs to be charismatic, and soap star Antonio Sabato jr has all of the charisma of a desk lamp. Former porn star Traci Lords looks good for her age, but acting isn't her strong point - she just looks bored for most of the movie.




If you're bored and this is showing on TV or you've watched everything else on Netflix, maybe you might want to check this one out. Otherwise, it's definitely one you can skip.

We're only part-way through May, but I'm not sure if I can keep watching mockbusters produced by The Asylum. I need to find others, because watching Paranormal Entity and Princess of Mars on the same night has sapped the life out of me.

Monday, May 12, 2014

MAY-DE TO BE MOCKED: Alien vs Hunter (2007)

 Note: Throughout the month of May I will be watching Mockbusters, those low-budget movies which are made purely to cash in on a recent successful blockbuster. I call this May-de to be Mocked!




Alien vs Hunter (2007)
Director: Scott Harper
Starring: William Katt, Dedee Pfeiffer, Randy Mulkey
Format: DVD


Plot: A newspaper reporter is out running when a fireball crashes into the mountainside behind him. He soon discovers that it is an alien spaceship, and with several other residents of his small town, he's soon on the run from spider-like extra terrestrials. Adding to their troubles is the presence of a cyborg-like hunter, who hunts both the aliens and the humans.

Ah, The Asylum. The company whose production line of low budget movies led to the coining of the term "mockbuster", or at the very least made it popular. Snakes on a Plane was a hit? The Asylum offers Snakes on a Train! Transformers becomes Transmorphers, and I Am Legend gives rise to I Am Omega. Rinse and repeat.

Naturally the offerings of The Asylum were going to feature heavily in this month's theme, and first up is Alien vs Hunter, or AVH as it is known for short. I wasn't a fan of Alien vs Predator, so I didn't hold out much hope for this low-budget rip-off, and after watching it, hopeless is probably a good way to describe it.

One of the most fun things about The Asylum's canon is the way they drag washed-up stars out of obscurity and put them back on the screen. Here it's a moustachioed William Katt, who to anyone my age will always be Ralph Hinkley, the Greatest American Hero. And to horror fans he's Roger Cobb from 1986's House. The only other "name" on offer here is Dedee Pfeiffer, Michelle's little sister. That's marquee name value right there. Character actor Randy Mulkey plays a weapon-packed conspiracy theorist (this movie's equivalent of Tremors' Burt Gummer).

IMDB says this movie was made for $500,000 and it shows. The acting is just plain awful (Mulkey is about the only one who doesn't disgrace himself, while I kept hoping that Wittly Jourdan's annoying character would be killed so I wouldn't have to listen to any more of her whining). The special effects are ridiculous (especially the CGI work) and the low budget really shows in the filming locations, which are restricted to small rooms/tunnels and the woods.

With these kinds of movies the saving grace can be the cheese factor. Sadly it's in short supply here, with really only the design of the Hunter's suit standing out. This guy makes Omega-1 from the previously-reviewed Robowar look world class. It's like they put a guy in a suit of armour, then plonked a welding helmet on his head and a salad bowl on top of that. Don't be fooled by the DVD cover above, I'm not sure what movie the "hunter" on the right of the cover is from, but it sure isn't this one. The alien design is actually quite good - a mix of Alien and Predator on the top half and a spider's body on the lower half.

The bottom line is they could have had a lot more fun with this kind of material, but the script by David Michael Latt (SUPERCROC) is entirely predictable, director Scott Harper plays things way too seriously, and there's just not enough cheese. Hell, by half-way through I kept hoping against hope that William Katt would slide into his Greatest American Hero outfit and start flying about comically while trying to battle the alien and/or hunter. That would have made for a great movie. What we actually get? Not so much.

Entirely avoidable, even for fans of silly mockbusters.

Wednesday, June 20, 2012

Drive-in Double Feature #1: May 1959

This is the first entry in a new semi-regular series here at Barbaric Bs of Schlocky Creek - the Drive-in Double Feature. The inspiration came from perusing some of the awesome retro double-bill newspaper adverts at one of my favourite blogs, Scenes from the Morgue (http://scenesfromthemorgue.wordpress.com/). I got to thinking how cool it would have been to see some of those double features back in the day at the drive in, and being the film nerd I am, my next thought was 'hey, I could do that now', minus the drive in of course.

So my wife and I sat down to watch two 1950s drive in movies (which played together in May 1959) back-to-back, and I even played some drive in "snack time" commercials in between. As I said, I'm a film nerd through and through.





Image courtesy of Scenes from the Morgue


Night of the Blood Beast (1958)
Director: Bernard L Kowalski
Starring: John Baer, Angela Greene, Ed Nelson, Georgianna Carter
 Format: Youtube

Plot: An astronaut returns from space dead. The base that recovered him is then cut off from the outside world by an alien. The revival of the dead astronaut, the death of a scientist, and the discovery of alien embryos inside the resurrected astronaut's body bodes ill for the survival of those trapped at the base and the rest of humanity.

Overall thoughts: You've heard of comfort food, right? Well, creaky old school B movies are the movie equivalent for me. Even if the movie itself isn't very good, watching black and white scifi/horror/whatever from the 30s, 40s and 50s usually puts a smile on my face. Night of the Blood Beast definitely falls into that category, and you'll probably need to share my perverse love of these schlockers to enjoy it. Like a lot of 50s scifi B movies, it's full of wonky science and ridiculous made-up techospeak dialogue. Director Kowalski (ATTACK OF THE GIANT LEECHES, KRAKATOA) doesn't have much of a script to work with (written by Roger Corman's brother Gene) and can't cover up the almost non-existent budget. He does manage to keep things interesting during the build-up to the arrival of the alien monster, which is when things turn to unintentional hilarity. It's not quite as bad as some other aliens (Robot Monster, It Conquered the World etc) from the time, but still laughable in a parrot-crossed-with-a-giant-slug kind of way. And naturally there's a morality message at the end, playing on audiences' fear of what space travel might eventually mean for mankind.



She Gods of Shark Reef (1958)
Director: Roger Corman
Starring: Bill Cord, Don Durant, Lisa Montell
Format: AVI

Plot: Two men escaping the police by ship are blown off course by a typhoon and shipwrecked on an uncharted island populated by women who make a living diving for pearls. What the men don't know is that the women are also part of a shark cult that sacrifices young virgins to the sharks in the surrounding ocean in order to appease the shark gods.

Overall thoughts: How's that for a great title? It's a pity the movie can't live up to it. She Gods of Shark Reef was filmed in 1956 by King of the B-Movies Roger Corman while he was in Hawaii filming Naked Paradise. It was put on the shelf for a year and a half, before being released as the secondary film of this double feature with Night of the Blood Beast. The truth is it's just not very good. Sure, the locale makes for some nice scenery, and there are plenty of nubile island girls dancing their way around, but all of that wears thin after a while when there's no real action to break it up (besides the opening scene, which is quite good). The sharks are small and not scary at all, the "human sacrifice" is ho-hum, and the acting is (apart from Don Durant) uninspiring. There's also bad logic galore (why can they swim to and from the "shark reef" whenever they want without being attacked by the sharks?) and a script that doesn't deliver on some interesting plot points (the shady Island Company remains off-screen, which is a shame).  Not one of Roger Corman's best, and that's saying something.


Thursday, October 27, 2011

31 Nights of Terror #19 - Breeders (1986)


Breeders (1986)
Director: Tim Kincaid
Starring: Teresa Farley, Lance Lewman, Frances Raines, Natalie O'Connell
Format: VHS (Roadshow Home Video)

- This video has great cover art. Will the movie itself be able to live up to it?
- And we're off and running with good old fashioned alien rape.
- My VHS copy of this movie is like watching it through a layer of vasoline.
- Detective: "You're not dead, you're alive. And if you're alive you can remember and we can catch whoever did this."
- Teresa Farley (Dr Gamble Pace) gave up acting after Breeders, according to IMDB, and from what I've seen so far, she did the world a favour.
- A too-skinny model doing a line of cocaine, then playing a cassette on a massive boom box. God bless the 80s!
- And then doing yoga in the buff. God bless... naked women?
- Okay so I was just thinking to myself "the acting in this is so bad it feels like a porno without sex". Then I look up director Tim Kincaid on IMDB and discover he's spent the last 10 years directing gay porn (the title Men's Room 3: Ozark Mountain Exit 8 was the first clue). The plot thickens.
- Wait, so a cocaine-snorting fashion model is also a virgin? Huh?
- An alien with tentacles raping a girl. Suddenly I feel like I'm watching some kind of dodgy Japanese porn.
- The "virgins" in this movie sure do spend a lot of time buck nekkid.
- And the actresses who play said victims? Let's just say they're a perky bunch, and I'm not talking about their personalities.
- Bullets didn't faze the vagina-with-teeth alien monster, but a sharp stick kills it? Alrighty then.
- The mildly-bored looks on the actors' faces during the monster transformation scene had me laughing my ass off.

Overall thoughts: With a movie this bad, it always becomes a case of... is it bad enough to actually be good? Breeders is close, but doesn't quite reach the goal. It has quite a few moments of unintentional humor, but just isn't cheesy enough to be so-bad-it's-good. The acting, the special effects, the music - they're all atrocious. About the only thing I can recommend Breeders for is its constant naked flesh - adolescent boys or anyone with a tanlines/perky breasts fetish will be in their element. Otherwise you might want to give it a miss.

Monday, October 3, 2011

31 Nights of Terror #2 - Xtro (1983)



Xtro (1983)

Director: Harry Bromley Davenport
Starring: Philip Sayer, Bernice Stagers, Danny Brainin
Format: VHS (Thorn/EMI)


- Alright here we go with a movie I've been aware of for years but have never seen before now.
- Huh, I wasn't expecting it to be British.
- Bond Girl Maryam D'Abo in her early 20s. Mmmmm.
- Ah the 80s, when even the English had mullets.
- Dogs can always sense when there's a slimey space monster lurking about. Yep, the same creatures that eat vomit and lick their own asses are geniuses.
- Wait, did the monster just eat that woman or copulate with her?
- The monster effects haven't been too great so far, but the synth music soundtrack (which IMDB.com tells me was done by the director) provides suspense, shock and more than little bit of weirdness to proceedings.
- Well, I guess that answers my question about eating/copulating. One of the surrealist alien births I've ever seen.
- Naked Maryam D'Abo. Three words that should make any red-blooded male want to see this movie.
- Plot so far: Guy gets abducted by aliens then returns three years later. He tries to pick up where he left off with his wife and son, but his wife has since shacked up with another guy. Naturally dear old Dad starts acting strangely.
- D'Abo is extremely sexy but her ever-changing accent is distracting.
- Midget clown alert!
- And it just got weirder. Yes, weirder than a midget clown.
- There has been very little in the way of blood and gore so far. I've just checked and my VHS appears to be uncut at 83 minutes long.
- The monster effects got better towards the end.
- The ending opens the way for sequels. I believe two were made, but not sure if they follow narrative-wise or just in name.

Overall thoughts: I've heard this movie referred to as a "mess", but as far as plot goes it's actually pretty straight forward, in that everything at least makes sense. But at the same time there are definitely quite a few trippy, offbeat (or, in the modern parlance - WTF?) moments. The monster effects range from quite bad to quite good and the musical soundtrack is extremely effective in adding to the surreality. I guess the word I would use to sum Xtro is "different", which is a good thing, trust me. I don't think I've ever seen a movie quite like Xtro.

Wednesday, July 20, 2011

July 18 - Dead Space (1991)

The cover of my VHS copy of Dead Space


Dead Space (1991)
Director: Fred Gallo
Format: VHS (Video Box Office)

If you've been following my blog for a while, you probably know that I'm an unashamed fan of Roger Corman (as shown by my Cormania movie marathon), as any true b-movie fan should be. The King of B Movies is, was and always will be the man when it comes to cutting corners and getting results on low budgets.

Dead Space is a prime example of Corman's recycling abilities. Not his skill at deftly sorting plastic and glass ahead of trash day, his ability to take his earlier projects and reuse footage/scripts/ideas time and time again.

To the uninformed Dead Space plays like a straight forward ripoff of Alien. Heck, Alien and Aliens have been ripped off (badly) so many times, it's a safe bet to think Fred Gallo went that way here, right?

Wrong. What we have here is in fact a remake of an Alien ripoff, which reuses footage from a Star Wars ripoff. Got all that?

Roger Corman is the common thread. He's Executive Producer here and Dead Space is a remake of his 1982 effort Forbidden World (which was clearly inspired by Alien). There's spaceship fight scenes lifted from Battle Beyond the Stars, another Corman masterpiece.

This is the feature film debut of director Fred Gallo (who went on to helm such quality fare as DRACULA RISING and STARQUEST II). It stars Marc Singer (BEASTMASTER, V) as a Han Solo-esque wise-cracking spaceship commander named Krieger (who instead of a Wookie companion has a robot buddy named Tinpan). They respond to a distress call and travel to a planet where scientists have created a kind of mutant virus that has broken free and is out of control.

The virus quickly takes monster form and it's up to Krieger and Tinpan to help the scientists survive. Among them is a pretty female scientist who quickly becomes Krieger's love interest (played by Laura May Tate of SUBSPECIES) and another played by future TV star Bryan Cranston (of Malcolm in the Middle and Breaking Bad fame).

Dead Space does it level best to be Alien, but of course it falls short. It's a copy of a copy and like a third-generation videotape it's watchable in parts but unwatchable in others. Singer is as solid as ever, the support cast is good enough, and there are fleeting moments of claustrophobic dread, but what really lets Dead Space down (but also adds to the cheese factor) is the alien/monster effects.

Whereas Alien and its sequels had top notch monster effects, here you get rubber puppets with barely any movement. It's impossible to take it seriously and it pushes Dead Space from scifi/horror to unintentional comedy pretty quickly.

It's a shame, because there's nothing overly campy or cheesy about the rest of the movie. Decent monster effects could have made this a good movie. Instead it's stuck halfway between being good and being so bad it's good. I guess that leaves it being just plain bad, but at the same time there's a certain charm to Dead Space and it's not a complete waste of time.

Previews on my VHS: Double Impact, The Taking of Beverly Hills, Boyz in the Hood, The Unborn, Disturbed, Mystery Date

Tuesday, May 24, 2011

May 24 - Sinai Commandos and a Franco Nero double feature

Today's viewing consisted of a nice little triple feature of b-movies set in exotic places - the Middle East, Colombia and Mexico - two of them featuring Italian action star Franco Nero.



Sinai Commandos (1968)
Director: Raphael Nussbaum
Format: DVD (First Look's Grindhouse Experience Vol 2)

The concept of a rag-tag bunch of soldiers fighting their way through enemy territory to destroy a radar station/ammunition dump/gun position/whatever has been done countless times in war and action movies. But while the setting for these tales is usually World War II (Pacific, Europe or North Africa), Vietnam or Korea, Sinai Commandos offers a new setting - the Six Day War in the Middle East.

I'll admit to knowing very little about that conflict before watching this movie (and subsequently doing some internet research). As the name would suggest, it was fought for six days (June 5-10 1967), between Israel and the combined forces of its Arab neighbours.

Depending on your political leaning, the war was either an act of aggression by Israel or a pre-emptive strike of a defensive nature. Either way, when all was said and done, Israel had taken control of the West Bank and East Jerusalem from Jordan, Golan Heights from Syria and the Gaza Strip and Sinai Peninsula from Egypt.

But enough about the history - you want to know about Sinai Commandos, am I right? Well, needless to say this Israeli-American-German production is firmly on the side of Israel being the heroic underdogs fighting back against the evil Arabs.

Directed by German Raphael Nussbaum (whose credits also include 1976's intriguingly-named THE AMOROUS ADVENTURES OF DON QUIXOTE AND SANCHO PANZA), it stars Robert Fuller (a veteran of westerns, including long stints on TV shows LARAMIE and WAGON TRAIN) as the leader of a group of Israeli soldiers sent into the Egypt-held Sinai region to blow up a radar station that will allow Israel to turn the tide in the war.

Joining their mission is a pretty woman (Esther Ulmann - her only acting credit) who sneaks them into enemy territory on her father's speedboat and tags along after the boat is sunk. The rest of the commando characters aren't fleshed out too much, with the exception of womanising Private Bulgaro (Reuven Bar-Yotam, making his on screen debut before going on to a career in US television).

While things start off quite slowly, once the action starts Nussbaum does a good enough job of keeping things interesting. As you would probably expect from a movie of this nature, the plot boils down to a string of firefights, as the commandos move on from one incident to the next amidst the barren rock landscape of the Sinai.

Baring in mind this movie was made in 1968 (they didn't mess around in getting it done after the war), it's missing the trappings of later war-action movies. Forget outrageous explosions and cartoonish characters, but if you're after a straight forward war flick with lots of machine guns and grenades, Sinai Commandos is worth a watch.

Oh, and in case you're wondering, Israel withdrew from the Sinai Peninsula in 1982. History lesson over.



Alien Terminator (1988)
Director: Nello Rosatti
Format: AVI (VHSrip)


When I was preparing to sit down and watch this, I thought it was the 1995 film with the same name, an erotic scifi flick starring former Las Vegas showgirl Maria Ford. That's the problem when all you've got is a computer file with a name - there's no cover, so mix ups can happen.

So imagine my delight when I started watching and the opening credits appeared. Franco Nero! George Kennedy! Directed by Nello Rosatti!

Instead of a bad 90s skin flick, here we've got an Italian production, shot in Colombia, which was originally titled Top Line. Alien Terminator is the name it got upon video release in the UK.

The previous year Rosatti had
directed Django 2, the sequel
to the groundbreaking 1966 scifi western Django. The sequel once again starred the great Franco Nero as the title character and was filmed in Colombia. It doesn't take much deduction to figure out Rosatti probably filmed Alien Terminator while he was on location, especially since the two movies share another couple of actors in common - William Berger and Rodrigo Obregon.

Nero plays drunken author Ted Angelo, who lives in Colombia on the dollar of his rich publisher ex-wife (Mary Stavin, HOWLING V). When he comes across some priceless Aztec artefacts that get his museum curator friend (Berger) killed, he and his friend's assistant (the lovely Deborah Moore, WARRIORS OF THE APOCALYPSE) are thrown into a dangerous series of events that involve secret agents, an evil artefact collector (Kennedy, COOL HAND LUKE) and a UFO buried inside a mountain.

The first two thirds of the movie are entertaining enough, unfolding like a jungle adventure mystery, but with a name like Alien Terminator you could be forgiven for expecting more... well, alien terminators. For that you'll have to wait until the last third, which is thankfully when things really pick up. As well as the long-awaited arrival of a terminator-ripoff alien robot, there's also an exciting highspeed pursuit through windy mountain roads with Angelo on the back of a truck being driven by drunk chicken farmer, as well as shootouts, explosions and a twist ending that's nicely done.

Nero struggles through his lines in English, but does well as an ageing action star. His funniest line comes during a shootout with the alien terminator, when his lady friend asks "Who could have built a machine like that?" and he replies "Not even the Japanese".

It's a shame there couldn't have been more of the fun stuff in the last portion of this movie throughout its running time, as the build up takes a bit too long to get going. But if you go into Alien Terminator knowing what to expect - a jungle adventure with some elements of scifi - you shouldn't be disappointed.



The Shark Hunter (1979)

Director: Enzo G Castellari
Format: DVD (First Look's Grindhouse Experience Vol 2)


In the late 70s, Jaws rip-offs were a dime a dozen. Following Spielberg's 1975 blockbuster came Mako: Jaws of Death (1976), Orca: The Killer Whale (1977), Piranha (1978) and a whole host more.

The Shark Hunter (aka Il cacciatore di squali, aka El cazador de Tiburones) isn't a direct riff on the adventures of Bruce the shark, but it is clearly cashing in on the craze. Directed by Enzo G Castellari (1990: THE BRONX WARRIORS), it stars Franco Nero (DJANGO) as a Quint-esque grizzled shark hunter haunted by the past. In his case it's the deaths of his wife and child and a plane crash in the waters off Mexico.

Sporting ridiculous long blonde hair, Nero's character (Mike di Donato) lives at a Mexican beach resort (shades of the other Nero movie I've watched today, where he was an American living in Colombia). He is
happy hunting sharks, but has also devised a plan to
retrieve 100 million dollars from the sunken plane
from which he was the only survivor.

A local crimelord (Eduardo Fajardo, DJANGO) and his assorted hired muscle are also after the money, as is a former colleague of di Donato's from a shady American agency (Michael Forest, BEAST FROM HAUNTED CAVE). Jorge Luke (CLEAR AND PRESENT DANGER) offers the comic relief as loud mouth local Acapulco, who becomes di Donato's sidekick.

The race is on for the money, with plenty of shoot outs, explosions, fist fights and high speed chases (including one between a seaplane and a speedboat) to keep things interesting. And the sharks? Well, they mostly just swim around looking menacing until the finale, when they finally get to chomp on some suckas.

The DVD I watched was a straight rip of a VHS (with hard Dutch subtitles), so the picture quality wasn't that great. A lot of the underwater shots were too dark to see what was going on, but luckily there's not too many of them.

The Shark Hunter is above-average 1970s action and a must for any fans of Franco Nero.