Monday, December 14, 2015

What I Watched - November 29-December 5 2015

WHAT I WATCHED - NOVEMBER 29-DECEMBER 5 2015:

A very quiet week for me, movie-watching wise, as I am in the middle of moving house and that hasn't left much time for anything else. I did still manage to sneak in a few watches though.





Not Quite Hollywood (2000) Amazon
- This documentary about the Australian exploitation (Oz-ploitation) scene of the 70s and 80s is one that I've been wanting to see for a while now. Like Machete Maidens Unleashed (Filipino b-movies) and Electric Boogaloo (Cannon films), this is mostly talking heads with some clips from the movies in question, but it's greatly interesting for anyone who calls themselves a b-movie fan.



Kingdom Come (2014) Amazon
- A group of strangers wake up in a building they can't escape from and are judged for their various sins by an unknown person/entity. This one plays like a Saw movie if you replaced the traps/torture with religious judgement. Ultimately its ambition outweighs its budget, but the result is still entertaining enough. Nothing great, but an okay time-waster.



Eagle Island (1986) VHS
- Black-clad Soviet operatives attack a Swedish island to steal a secret code, but are met with resistance by a recently-fired soldier and a female bird-watcher. This Swedish production had potential to be good, but director Mats Helge Olsen lingers too long on boring stuff instead of action. The casting is also questionable, as the leading man (Tom O'Rourke) is a middle-aged guy who looks like a failed James Bond auditioner. His chemistry with his much-younger love interest is also non-existant. This one's a bit hard to find, and maybe it's best kept that way.



Demons of the Mind (1972) VHS
- Later-day Hammer offering set in 19th century Austria, which deals with insanity, incest, rape and murder. Steeped in the gothic trappings that Hammer did best, but held down slightly by a turgid early pacing and some hammy over-acting by main villain Robert Hardy, this one gains momentum in the last act, which includes some quite stunning scenes involving an angry mob and a burning cross. Not the best Hammer movie, but a mediocre Hammer is still better than most.







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